And then a bit of research shows there is a whole album available by the artist in question.
A case in point here is "Keep The Change" by Mattiel - coming across like a sort of lost Northern Soul stomper/60s Garage Rock mash-up sung by Nico (a curious mixture, but one that is apt)- and the attendant album ('Satis Factory') is more than satisfactory
(some albums bought on the strength of one track can lead to disappointment, not this one)
Anyway, this was the song that stopped me in my tracks, started questioning my ears, led to an Amazon order, and then resulted in me typing this guff for your entertainment (ridicule?)
Keep The Change
The parent album contains 12 tracks with echoes of recognition throughout - Garage Rock, Velvet Underground, Nico, Jefferson Airplane, Psychedelia, even a bit of Debbie Harry and Courtney Barnett are noticeable - all adding to the "Retro, yet of itself" sound. The music on this album, at some point, touches most of the varying styles of the rock genre. But this is no pastiche of the styles, merely a starting point of recognition that hooks the listener in (or it did me anyway).
The 12 tracks each clock in around 3 minutes, meaning this is a fine way to spend half hour of life.
Opener "Til The Moment Of Death" is a sort of Velvet Underground meets Country affair, with Gothic undertones. The VU references (with added 12 Bar Blues) continue "Rescue You" and most blatantly on "Millionaire" where the laid back groove imparts all the recognisable bits of "Sunday Morning", "Femme Fatale" and "All Tomorrows Parties".
Outside of the aforementioned "Keep The Change", "Je Ne Me Connais Pas" and the narrative/conversational "Food For Thought" are contenders for the next single.
"Populonia" and "Athlete" veer into Psychedelia territory. And "Heck Fire" ups the funk quotient a couple of notches.
Penultimate track "Berlin Weekend" is my particular favourite at the moment, pulling all these styles together, adding a bit more, and creating a stomping song that will lodge itself in your earholes for a good while.
Despite all the references above, I repeat this is no pastiche or carbon-copy album, merely a comfortable starting point to ensure half an hours prime enjoyment.