Thursday, 7 April 2022

Chris Pope & Chords UK / Len Price 3 / Block 33

 A tale of 3 Mod albums:

  • Chris Pope & The Chords UK - Big City Dreams
  • Len Price 3 - Ip Dip Do
  • Block 33 - The Day The World Stood Still

All recently released, all independently/self-funded, and all steaming with energy.

"Mod" may actually be the wrong term, but it's an apposite catch-all for the attitude and sounds spewing forth from the grooves of these 3 albums (or more correctly the collection of 0s and 1s flying from the silvery 5" disc)

Chris Pope & The Chords UK

First up, the old stager of the bunch - Chris Pope was the guitarist and songwriter of The Chords - one of the recognised leading Mod Revival groups of 1979.  In truth, there was more to The Chords songs than merely "Mod" but it was a convenient, relevant tag and alignment.
The Chords fell apart in the early 80s after a clutch of (sadly underperforming chart-wise) singles and a single album 'So Far Away'.  Chris Popes keen songwriting continues, and now with a re-configured Chords UK, he continues to deliver quasi-folk tales from South London with a biting (and sometimes resigned) edge.
This album is the third Chords UK release, and ranks happily alongside previous (plus the 3 solo Chris Pope albums), and contains many songs that are likely to become mainstays of live outings.
"Listen To The Radio", "Last Great Rock Star" and "Hey Kids Come The Revolution" fire open proceedings with a burst of 60s RnB meets Punk meets Power Pop (I'm being constrictive there, the music is a wider church than I'm suggesting).
"Down And Out In New York City" has an autobiographical edge recounting the final days of The Chords, before the reflective and rousing closer "Great Expectations".
"Keep Calm & Carry On" is sage advice, so I'll keep calm and carry on listening to this album.

Len Price 3 - Ip Dip Do

Similarly, the Mod tag may not be 100% true for Len Price 3, but again it just fits.  They blend 60s Garage, The Who, Psychedelia, The Clash, The Ramones, and a short, sharp kick and lush, infectious melodies.
The songs are there for listening to and being entertained by - not for looking deeper for a message.  Some of the titles are worth the entry fee alone - "Chav Squad", "Mr Spongs Miraculous Leap", "Billy The Quid", "Raven At My Window" - and then the songwriting and playing delivers on the top.
Seven albums in and the quality and energy remains at the highest level.  It might all be over in just half an hour which gives enough normal listening time to play it again ... and again, and again.

Block 33 - The Day The World Stood Still

New boys Block 33 are still waiting to play their showpiece debut album launch gig at the 100 Club.  The debut album came out just as the world went into lockdown, meaning the launch gig was delayed to MAy 2021, and then further delayed until after the release of their second album.
Annoying, but now they've got an even bigger set of songs to draw on, and these new ones are every bit as vital as their charged debut.
Take all them lazy references above, and add a bit of Oasis-ish Britpop and a touch of Arctic Monkeys into the mix, and Mod (and Block 33 definitely identify as Mods) is in rude health.
From instrumental opener "Battle Cry" through "Better Tell The Devil", "Away Day, "Broken By Design" and "Changes" the energy and commitment rarely subsides.  And this is tempered by a change of pace in tracks like "The Devils Silhouette" and "Escape Route".  On first hearing, lead single "The Girl In The Yellow Jackie Dress" is ripe for 6Music - I have let Steve Lamacq know on their behalf (but he never replies)


In summary, if there was a festival bill featuring those 3 (ModFest?) alongside From The Jam, Ocean Colour Scene, Secret Affair and The Purple Hearts, then I would be (to misuse a similie) as happy as Jimmy.


Chris Pope & The Chords UK - Keep Calm And Carry On


Len Price 3 - She Came From Out Of The Sun


Block 33 - The Girl In The Yellow Jackie Dress


1 comment:

  1. That Chris Pope tracks is the bifters. I should read this blog more often

    ReplyDelete